For this project, I wanted to capture sonic experiences while touring across Europe and to somehow create an emotional relation to each characteristic of my track. In my previous projects, I branched out of my comfort zone when it came to producing and arranging by using unfamiliar methods (to me), such as, live radio manipulation and modulation and synthesis. This time around, I want to use familiar techniques and methods that I have learnt over the past year.
Due to the extensive nature of touring, I’m unable to take lots of equipment with me. Because of this, I’m only able to bring my Zoom h1n Field recorder, my laptop and an assortment of pedals (for live shows). As this is my first international tour, I’m looking forward to indulging in other cultures and capturing the essence of visiting new places by taking note of sonic differences in each country. I have already prepared a folder of foley samples and some field recordings that might come in handy when it comes to arranging the track. These include recordings I took using a Zoom H5 field recorder, a hydrophone and a contact microphone. I’m really looking forward for the inevitable culture shock of being in Europe for the first time but I’m most excited to hear what these places sound like!